They are designed to be the most size-customizable footwear scientifically possible. This can, and does get incredibly uncomfortable the moment your toes and feet are injured, swollen, or just aching from a long day of work.Īnd this is precisely where the Easy Slippers come in. You can maybe loosen the laces a little bit, but that’s the most you’ll get. Most slippers and shoes come in sizes more or less set in stone. And after years of witnessing this injustice, he decided to do something about it.ĭid he succeed? Well, yes, otherwise we wouldn’t be writing this review, but let’s see exactly how he succeeded. That is the problem the French physiotherapist saw over and over in his clinic. But like your shoes, you picked them to fit your normal foot size, not the swollen abomination it has now become. You barely managed to pull of your shoes. You finally got home, your feet screaming at you to let them rest. You can now get Your Easy Slippers 50% off and with Free Delivery.ĭo your feet ache after a long day of work? Do you have blisters, inflamed ankles or swollen feet? Are you tired that all your shoes are designed for healthy, not swollen to twice their size, feet? Do you just want a pair of impossibly comfortable slippers? Well one French physiotherapist has your back! These new slippers are amazing! His adjustable slipper is making headlines across Europe and is now set to take the whole world by storm. Even so, pieces by Helena Wolfsohn that bear the fraudulent "AR" monogram are highly prized today, and the works of the Dresden studios have since seen their fair share of imitations in the last hundred years.SUMMARY: One French physiotherapist took it upon himself to do what no one else seemed to want to do: create a real, and comfortable, solution for people suffering from tired, achy and swollen feet. Some 18th century Meissen pieces, for example, bear Oriental designs or features, and are even painted with fake Chinese or Japanese marks! The now-famous Dresden artists were, in their day, considered to be Meissen imitators and some decorators, such as Helena Wolfsohn or Carl Thieme, even faced lawsuits brought against them by the Meissen Royal Manufactory for their use of deceptively-similar marks. However, it is also important to remember that even the most prestigious porcelain manufacturers were, to some degree, considered imitators in their own day. In general, the more prized the product by a certain manufacturer, the more likely it is that the makers mark has been imitated at some time or another. These stamps are no indication of either the place of manufacture or decoration. This is also commonly seen with Haviland china, with certain pieces bearing stamps of domestic retailers such as Sanger Brothers in Dallas, TX or W.J. In certain cases large importers would special order china to be marked with the name of domestic retailers. (Click here for a complete explanation of Haviland marks.)Īnother common type of porcelain mark is the retailer or distributor's mark. Limoges." In this case, the china bears two marks even though the pieces were produced in different parts of the same factory. Much Haviland china, for example, bears the green underglaze mark "Haviland France," and the red decorators stamp: "Haviland & Co. Often times a piece of china will bear two marks in this way: one beneath the glaze, indicating the factory that produced the blank, and the second above the glaze indicating the decorator. The Dresden decorators covered these porcelain marks with a gold glaze, and then applied their own above-glaze mark: usually a blue crown. In most cases these blanks bore marks of the factories within which they were produced. These famous artists, including Carl Thieme, Helena Wolfsohn, Franziska Hirsch, and others, procured blanks from other factories and applied them with their own handpainting or sculpted embellishments. One important exception is the work of the Dresden porcelain studios, operating in the Saxon capital during the late nineteenth century. The latter was the more popular, so most European porcelain marks are cobalt blue underneath the glaze. For the first hundred years or so of porcelain production there were only two known pigments that could withstand the high firing temperature necessary: iron red and cobalt blue. Most porcelain marks on fine antique china, such as the Meissen marks, are "underglaze"-meaning, they were applied to the piece prior to firing.
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